7.25.2006

I spent the day working with photographer (and fellow Poca Dot) Alex Wilson to shoot some stuff for what might the poster or marketing materials one day.

I had to think about that kind of stuff, but we all associate everything with how it's being sold to us. If presentation wasn't important, I'd wear t-shirts and jeans all of the time. Wait, bad example.

Anyway, while I don't have the photos back from Alex yet, I wanted to share a couple I took as kind of concept photos. Just imagine there are a handful of college students dressed up as a film crew in them.

By the way, big thanks to everyone that came out to help today - Chris Oxley, David Burnside, John Hale, Larry, Matt, Jeff, and Natalie. Sorry for forgeting your last night. I blame the heat stroke - or the CiCi's pizza we had for lunch.


j.brown






Top right - Fayette Landing view of the New River Gorge Bridge
Top left - Sight of the original 'Matewan' poster from the Thurmond depot parking lot





Left - Behind the railing looking over the railroad tracks on CSX property.



Right - The bright yellow Thurmond train depot which had it's sign replaced during the movie to say 'Matewan' instead.

7.23.2006

Glimpse inside....



Thanks to Lynn Lane, here's a quick photo from my interview with
John Sayles. Thank you to John, Maggie and Dannelle for all the
cooperation and patience while I was at the Anarchists' Convention offices.

More to come.....

j.brown

7.19.2006

Everything I expected it to be....

I got to spend Tuesday interviewing John Sayles and Maggie Renzi for my documentary. My experience is that your idols and your dreams are never quite what you expected - some better, most not so much. John and Maggie are two people who have achieved so much, but they are humble, regular people who actually care. You can't beat that. And for other big fans, John has another film almost ready to get underway. He and Maggie shared a little bit about it, and it's worth getting excited about it.

I knew it was going to be a good day when I found a parking spot in front of their offices - AND!!! I didn't get a parking ticket for being there all day!

After having more than a couple setbacks on finding help, Lynn Lane stepped up and ran camera for me during the big shoot. Lynn is a great guy who was very helpful and supportive. I met Lynn on indieLoop due to our West Virginia connection. His prod co is called Coal River Pictures, because his family is from the Marsh Fork/Coal River area. He's coming down this Fall to shoot a doc about his grandparents home. Help a brother out if you see him; he deserves it.

Hoboken set a record high; so, turning off the air-conditioning for sound reasons meant everybody was sweating - me most of all. I got so much time with both John and Maggie there weren't many questions I didn't get to ask. The only regret I have is being covered in nasty sweat all day.

Like everything, there are people who make things possible who don't have their names in lights or push to the front of the crowd. So, this is a quick shout out to Danelle with Anarchist's Convention who this would not have been possible without.

When we finished up, instead of putting Lynn back on the Path Train, I drove into the city. Not nearly as crazy as I thought it would be, but still crazy. Had a good time, now I've got time to kill till I come home. Maybe I'll drive back in later this week.

I understand there was a little story in the Gazette while I was out of town. When I get back, I'll try to turn that up a little bit across all kinds of media.

Thanks for the support from everyone.

j.brown

7.11.2006

Why did they do that?

So, thanks to the great support of the Beckley Exhibition Coal Mine, I spent the day wet, dank and underground. Tons of great footage of places where 'Matewan' shot underground.

After getting there early and shooting on a guided (walking) tour of the mine, I rode along with one of the tours. It's real easy to remember why I'm doing this project during such occasions.

The tour guide showed us all of the traditional elements used by miners for lighting in the mine and gathering the coal. He explained that while miners were making $2 a day mining, over $.14 a day farming, they had to pay the company for all their tools - usually leaving them in the hole.

After this brief history of the plight of miners, the nice gentleman beside me, from out-of-state by his accent, asked, "If it was so hard, why would someone want to be a miner?"

Everyone lives in their own world with their own perconceived notions of what's expected and what's possible. It can be pretty amazing sometimes to realize that your world is not everyone else's world. Sometimes what's expected of you and what's possible for you is only true where you're standing.

Now, face north. Think about direction - and wonder why you haven't before.

j.brown

7.10.2006

Hanging up on my wall

One great identifier for those who were in the movie 'Matewan' and those who weren't is the poster. You know - this one:



The only places I've seen the poster are on the walls of people who were involved with the film. There's a nice poster in the WV Film Office, the Humanities Councils has one framed on the upstairs wall, and I really enjoyed John Bullock's autographed copy tucked away in his basement with his mementos.

I want one for myself. I've gone to the AllPosters and Art.com, etc. and while they've listed 'Matewan,' most then sent me a nice reply of "we're out of stock, but we'll contact you when it's available," only to never be heard from again. Finally, I ordered a 11x17 mini-poster, but it's not the same.

Last week, I was sitting down with Sen. Shirley Love, one of the nicest people, let alone politicians, you'll ever meet. We had a great interview. He told me about getting a ride to the set with James Earl Jones while John Sayles drove - only to be told later that's who those nice guys in the van were. He's got a half-century of experience in television and radio, but he'll tell you stories like they happened yesterday. As he walked up to meet me, he was carrying a large frame with pictures of himself in constume and his postcard invitation to the premiere. Then he gave me an extra 'Matewan' poster he had received at the premiere in Beckley.

Thanks, Shirley.

j.brown
More good press for 'Them That Work.'
Thanks Audrey for the article.


http://www.register-herald.com/local/local_story_190223141.html

Beckley man’s ‘Matewan’ film under way

Audrey Stanton
Register-Herald Reporter

Is it possible for the same piece of history to have two impacts on a region — more than 60 years apart?

Jason Brown thinks so. The local filmmaker has set out to document just how the 1920 shootout between union miners and coal company security guards at Matewan influenced the region 66 years later when independent filmmaker and screenwriter John Sayles wrote a fictionalized account of the Matewan Massacre, then filmed it at Thurmond.

“What I’m trying to do with this little movie is take a picture of the people and the places involved in the film and show how the film has changed, influenced and inspired a lot of people,” Brown said.

In the last year, he’s found several people to help him capture that image, but he’s looking for more.

He’s interviewed filmmaker Danny Boyd, actor Jim Damron, actor David Strathairn, filmmaker/actor Scott A. Martin and the former mayors of Thurmond, John and Ellen Bullock. Soon, he’ll be interviewing locals involved in the film, including Mount Hope Mayor Michael Martin, who acted in “Matewan” and several other films. And next week, he plans to interview Sayles and “Matewan” co-producer Maggie Renzi.

His footage also includes interviews with student filmmakers inspired by the film, a seamstress who worked on the film and even a guy who showed up for the casting call but didn’t get in the movie. And he’s not finished. Brown — who holds a master’s degree in film studies from Hollins University — continues to seek and find additional West Virginians who were involved with the film.

“There are so many great stories to be told because this was a special event that touched people’s lives,” he said. “ ... In my mind, if this film sparked a light in one person, that offsets the thousands of lights that have been dampened by life’s hardships, my hope is that people being reminded of inspiration through this project will be able to find their own somewhere else.”

Brown’s inspiration for making the film began when he was a student at Concord College, where just about everyone he met seemed to have a “Matewan” story.

“They’d say, ‘I was in ‘Matewan,’ and then they’d tell these cool little stories,” Brown said. “And I started thinking, how did this affect you? I think that needs to be told.”

Brown has titled the unfinished documentary “Them That Work,” but he noted that’s subject to change. Whatever it’s called, it already has support and encouragement from Sayles, Renzi and “Matewan” co-producer Peggy Rajski. Morgan Spurlock has offered support and agreed to be interviewed, and West Virginia Public Broadcasting has written a letter in support of the project.

“Making movies is so competitive, unfortunately, that you can never have enough people supporting you, so I’m always looking for people to back this cause,” Brown said.

The project was recently accepted into the Independent Film Project’s Fiscal Sponsorship Program (IFP.org), which will allow people to make tax-deductible donations to it. IFP works with filmmakers by allowing them to use their nonprofit status to offer potential donors a possible tax break for supporting a project. It is set up to take donations both in large corporate amounts and the small birthday card-sized — both through a secure online account or regular mail.

“At this point, I’ve received a couple small grants from the University of North Carolina at Greensboro, but I’ve spent thousands of dollars out of my own pocket to make this movie, knowing that it’s going to take thousands more,” Brown said.

Information on the project is available at Brown’s Web site, pewterproductions.com, or he can be reached by mail at Jason Brown, 1038 N. Eisenhower Drive, Beckley, WV 25801.

— E-mail:
bnaudrey@register-herald.com

7.07.2006

I'm ready for my close-up

The West Virginia media is generous - both in its coverage and who it will cover. Having been on both sides of it, I always appreciate anyone who takes the time to write a story for me.

So - with that, here's a link to a nice story Steve Fessenmier wrote about this project for Graffiti.

http://www.grafwv.com/Films/story/fil21_762006111125.asp

j.brown

7.06.2006

I've found a treasure trove....Arrgh!

Okay, the pirate bit was too much, but like you, I'm being overwhelmed here with this whole 'Pirates of the Caribbean' stuff. Anywho....

With a little luck and help from my friends, I was handed the names of several people who worked on 'Matewan' today - and a stack of pictures. Shhh.

Before I got too giddy - I wanted to share this small one. The exciting part for me is looking at this and realizing not the number of Oscar winners & nominees in this picture - but the number of friends I have there. Ain't life grand.

More to come - stay tuned,
j.brown


7.05.2006

Where have all the roadside parks gone?

Instead of eating tons of hot dogs (wow - Kobayashi) or watching baseball, I hopped in the car and drove up to the Kanawha Falls looking for B-roll for the movie. Tons and tons of b-roll was found.

I've heard it said that beauty of shooting on miniDV is the ability to just keep shooting - it's also the downfall. I shot mountains, and rivers, and clouds, and trees, and houses, and train tracks, and buildings, and cars. I knew I should stop when I found myself in the middle of the road trying to frame up an on-coming car between the trees, mountains and sky.

On the way back though, I stopped at may have once been a roadside park. It was this huge swatch of land off the side of the road which overlooked the river. It was beautiful. As I got closer to Charleston, I drove up to Daniel Boone park - and it was so managed. I looked around at all the cars and boats and signs and buildings. The beauty of just pulling off the side of the road and appreciating the trees and the mountain before tainted whatever this was for me.

j.brown

7.02.2006

Tracking me down

In the last two months, I've put about 5,000 miles on my car. That's not some incredible number for people who do any real driving, but just to be working on this little movie - that's a big number. I've only been to about five states, but it feels like more.

So, this weekend I got a message from John Huff, of Cyxork 7. John is a great guy with a movie I love. He wanted to get in touch with me about the DVD that's coming out and see how I'm doing. I'm telling ya, John's a good guy. Anyway, he says, I've tried to get in touch with you but I can't find an e-mail or anything on your blog.

Oh yeah. I hadn't realized I had created this blog with virtually no way for people to communicate back to me. So - at the top of the sidebar you'll now find a link to my e-mail (info@pewterproductions.com) and I've turned on access to the comments section of the blog. Be kind.

Despite the independence day holiday messing with my schedule and a few people backing out on me at the last minute, this is going to be a great week. Next week will be even better - then I'm off to NYC. I got word that 'Them That Work' will be participating in the IFP's Fiscal Sponsorship program; so, I'll have a link up soon to take tax deductible donations. Please.

rock on,
j.brown